Wednesday, 26 September 2012

Dolphinholme

25/09/2012 - 26/09/2012 Dolphinholme House Farm visit

We went on a residential trip to a farm. These are drawings I produced of the goats in the barn as that's the only subject I found to draw because of the weather.















Willow and compressed charcoal






Fine line pen and felt tip


Compressed and willow charcoal





Pencil with compressed charcoal









Wednesday, 19 September 2012

Walker Art Gallery Visit

Walker Art Gallery - John Moore's Painting Prize exhibition:

 
'Untitled Kerbstone Painting (MJK)'
Narbi Price
Acrylic on Canvas




'Louis XV Rigaud'
Stephen Farthing
Casein paint, enamel and metal leaf on canvas, painted in 1975






'Slump/ Fear (Orange/ Black)
Alexis Harding




'Desire'
Pu Yingwei
2011



 

'Edge of Town'
Graham Chorlton
2011


 
'Talcum'
Damien Meade
Oil on Linen on Board 2011

 

'Collapse into Abstract (Black)'
Cullinan Richards
Gloss paint on plywood. plywood frame. 2010




Tuesday, 18 September 2012

Roundabout - Photography & Textiles

Photography - Karlton 09:30 - 12:00

We were to produced; in groups of two, photographic imagery using the theme of drawing with light. We set up the photography studio standing polystyrene boards in rows. We watched a youtube clip on drawing with light for inspiration


We set the camera for a 30second exposure to capture the drawings we made with the light sources. I had the idea of using this metal sheeting - it created a blurred light opposed to bold strokes of the torch light. The more time the metal sheeting were held there, the more prominent it became. I didn't particularly like the youtube clip because of the neon lights a bold strokes but I thought that I could have a try with my own ideas to make it into some more appealing. I worked with Genna Dean;


Here I held a lighter behind a translucent plastic sheet at different positions.
 
 

  


 


 

 
Here one example of using a combination of the metal sheet and a torch.
 

 
 

 
Here I used the flash light at different points as she crawled up the steps.
 

 
 
 
 
Using the flash light at each movement of the fabric.
 


 
Others:
 

 


 


 


 


 


 



 



(PM)Textiles - Danielle Longhi 13:00 - 15:30

Objective - To create a series of experimental drawing samples using a range a papers. Your focus should consider surface and textures.

We were to consider;

  • Line - straight, curved, broken, organic, crisp, thick-thin, continuous.
  • Texture - smooth, eroded, flat, varied, rough, opague, transparent, gritty, sleek.
  • Colour - blended, solid, broken, greyed, dusty, bright, subdued, layers.
Danielle showed us some examples of peoples work using a variety of textures and techniques - using ink, sewing, collage, drawing etc.

An image was projected onto the table where I placed my A1 paper.
 
 

The first image projected were some leaves. I experimented only with protein dyes to create my own impression of the leaves. when I used too much bleach and the paper became saturated. The darker ink all faded away so I waited till the paper dried to rework the paper with more dye.



bleach started to affect the dyes.



After I worked back into the painting


I used found magazine and newspaper and stuck them down following the lines of the projection.

 
Techniques I used; smudging, paint brush, blending, scraping. I worked into the collage using ink, pastel, charcoal and chalk. I thought that in the next session I could work into the collage with the sewing machine.