Avigdor Arihka

Avigdor Arihka (1929-2010) was a painter born in Bukovina, Romania. His subjects were still life, landscapes, nudes and potraits. His drawings are one of my main influences. His lines are suggestive and range from delicate lines to completely covering the areas of the paper.


Oblique Self-Portrait (1972)

Brush and Sumi ink on coated paper

34.3 x 28.2cm

Noga at the Age of Eight (1977)

Brush and Sumi ink on Senkwa paper

97 x 63 cm

Nude Back (1977)

Oil on canvas

100 x 81 cm

Frank Auerbach

Frank Auerback's work is recognisable with the thick apllication of paint, bold gestures and gashes of colour. He mainly uses charcoal, oil and occasionally Acrylic paint. Auerbach seeks to capture reality, create something new, to create something living and to add something to the world - how he puts it. He works doggedly, intensively and slowly to achieve that rawness that he seeks.

John Tusa interview - BBC Radio 3
http://www.bbc.co.uk/radio3/johntusainterview/auerbach_transcript.shtml


Head of J Y M. (1978)
Oil on Canvas 
61 x 66 cm



Nude

Animal

 

 

 

Drawing

Willow Charcoal

Euan Uglow

Euan Uglow is a British painter (1932-2000) who is well known for his nudes as well as portraits, still life's and landscapes. There are measurement marks visible where the paintings have been constructed with lines and marks, showing the process and development of his work. This is because he uses tools such as compasses and scaffolding to ensure his proportions are exact, and that both he and the model returned to the same position for each session working whilst he was working on a painting. This gives his paintings a structured appearance. 


Uglow nearly always worked from direct observation. The models were usually female and had to pose for him for many hours, as he worked at a slow pace. The environments and furnishings were often an important part of his subjects. His works shows his interest in geometry, often the models are arranged in such a way that they create stong geometric shapes within the picture. His pictures work as abstract compositions as well as representations of a figure. He often used strong colours as a backdrop to the model.


Set up


In this set up for 'Nuria', is the process of the studio set up to the study and his finished painting.



Study for 'Nuria'



Finished painting 1998-2000
Title 'Nuria'
Oil on canvas laid on panel 14.25 x 21.25 inch




Postures


'Nude' 1962-1963
Oil on canvas
1632 x 1168 mm



'The Diagonal'
1971-1977
Oil on Canvas 46 x 65 inch

Screen Prints

 

Drawings

 

Pen and felt tip

 Charcoal

 

 

 

 

  Pen and felt tip

 

 

 

 

Drawings of Friends

Quick drawings of Genna and Alice using compressed charcoal on A3.

 

 

 



Drypoint Prints of goats

I etched the goat drawing into the plastic sheet using the etching needle over my sketchbook. I experimented using scrap photographs to print over.

Birds, Beetles and Butterflies

Went back to Blackburn Museum to take more pictures as I wanted to retake some of the butterflies and get clearer images of the birds as it was hard to take clear photographs because of the reflection from the glass.

Eugene Verboeckhoven

Sheep and Lamb on Moorland